Chile

Universidad Austral de Chile

Chilean Consortium Member

 

Universidad Austral de Chile

Miembro Chileno del Corsorcio

Universidad Austral de Chile is committed to the heritage and cultural legacy of southern Chile, where its headquarters and campuses are located.

Founded in 1954 in the city of Valdivia, the University has responded to the growing needs of the organized community, mainly in the fields of education, research, culture and production. Its mission and vision are aimed at generating permanent links with society and the disciplinary, technological, artistic, productive or professional scene.

 

La Universidad Austral de Chile está comprometida con el patrimonio y legado cultural del sur austral de Chile, donde se encuentran emplazadas sus sedes y campus.

Fundada el año 1954 en la ciudad de Valdivia, la Universidad ha respondido a las crecientes necesidades de la comunidad organizada, principalmente en el ámbito educativo, de investigación y en la esfera cultural y productiva. Su misión y visión se orientan a generar vínculos con la sociedad y el medio disciplinario, artístico, tecnológico, productivo o profesional.

The Museology Department is engaged with the university and regional community through the preservation and valuation of its memory and heritage. The museums of the Museology Department are found in territories defined by their inhabitants. The sustainability of heritage assets and collections is related to the development of the territories and the communities in which they are located.
The cultural management carried out by the Museology Department is part of an eco-systemic responsibility policy under which accessibility and governance issues gain fundamental importance.
  La Dirección Museológica está vinculada con la comunidad universitaria y regional a través de la preservación y puesta en valor de su memoria y patrimonio. Los museos de la Dirección Museológica se encuentran insertos en territorios resignificados por sus habitantes.
La sostenibilidad de los bienes y colecciones patrimoniales está relacionada con el desarrollo del territorio y las comunidades en las que se insertan. La gestión cultural que realiza, se enmarca en una política de responsabilidad eco sistémica bajo la cual las variables de accesibilidad y gobernabilidad adquieren una fundamental relevancia.
     

 

 

 

 

Museums for Social Inclusion and Cohesion


Characterize and promote the statements about historic and family memory, cultural identity and material/immaterial heritage which are emitted by the museums of the Region of Los Rios, and other museums situated in member countries from the EU-LAC Museum Consortium. Pursuing the promotion of ancestral knowledge, the bi-directional transmission of knowledge and principles between the communities / museums / universities, and strengthening the working relationship of the network of Museums.

Technology and Innovation for Bi-Regional Integration

By allowing local community museums to create a network with other similar organisations, in both LAC and EU, our project, and in particular this work package, will significantly promote and aid the development of mutual knowledge and understanding of peoples, through digital (namely web) and physical in situ means. Museums are an invaluable tool in this process due to their capacity to connect the remote/digital with the present/physical understanding of the world, both in terms of its similarities and diversities.

Fostering Sustainable Community Museums

EU-LAC-MUSEUMS seeks to carry out out a comparative analysis of small to medium-sized rural museums and their communities in the EU and LAC regions, and to develop associated history and theory.

Exhibiting Migration and Gender

To empower institutional partners within the EU_LAC project with the necessary digitisation and communication technology training and tools allowing them to fully participate in and support the development of a virtual museum of the migration experience/s as informed by the experiences and trajectories outlined.
To conceptualise and develop new interpretation resources, utilising both historical and contemporary contracts (both memory and art based) in the development of travelling exhibitions and associated educational resources, making available through partnership arrangements with museums as identified.

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Galleries of 3D Artefacts

Objects, following certain criteria, are picked by museum staff to either be 3D scanned or photogrammatised. Scanning can be done only if the necessary equipment is available, which lends photogrammetry to be the preferred affordable method. Images are sent through open source software that creates a 3D file which then can be archived and uploaded to a social archiving site such as Sketchfab. As a social site, Sketchfab tracks a user’s followers, views and comments. All digital objects appear in a video player which can be embedded in websites easily.

EU LAC Virtual Museum

Created specifically for the EU-LAC MUSEUMS project by the University of St Andrews, the EU-LAC MUSEUMS Virtual Museum is a major research outcome that assembles digital media of cultural heritage; making it easy to access and use. 3D digital objects, 360° museum tours and community discussion videos populate the Virtual Museum as content generated from the 3D Workshops, held in three European, three Latin American and three Caribbean countries. By creating digital content from community museums all over the world, the heritage, objects and stories can be shared and appreciated by a global audience.

Tangible & Intangible database

One of the objectives of this initiative is to encourage small community museums to contribute to a global online inventory.
In community museums, the exhibited objects represent (or are part of) an intangible cultural heritage. We propose the creation of a database that integrates an object-oriented inventory with an intangible cultural heritage-oriented inventory.

The contents of the website will be easier to search and access if we place all the cultural heritage (tangible and intangible) in a single database, even though the registration fields are not all the same for these two types of cultural heritage. In addition, an item placed in the database may contain a publication, several image files, a video file or an audio file. Or just one of these elements.

Bibliography

Bibliography of Museums, Community and Sustainability [Database + PDF]

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