The Jury praises the value of the intercultural, intercontinental and international relations created and sustained by EU-LAC Museums: “EU-LAC is a well-established international network that shares cultural values through the management and care for cultural buildings and monuments. Not only do they represent an international collaboration between expert organisations, the network gradually built a community with many smaller organisations in several cultural sectors in different parts of the world, creating a common language through the identification of a common goal.”
To date, this project has successfully set-up exchanges and improved relations between 154 countries with 108,365 people engaging in person or online with the project activities and its web portal.
Community-based museums in times of crisis - our webinar series!
In response to the COVID-19 pandemic and its catastrophic effect on museum and heritage communities, three new webinars will focus on the topic of community-based museums in times of crisis. Consisting of four or five speakers in each session, our online discussions, open to all, are created in the context of reinforcing cultural relations between Europe, Latin America and the Caribbean in the frame of the Horizon2020 EU-LAC-MUSEUMS project.
You can now watch our EULAC Museums and Communities webinar series here, with subtitles.
Hosted through a collaboration of the EU-LAC-MUSEUMS project, ICOM-Europe and ICOM-LAC (Latin America and the Caribbean).
Virtual Museum of Caribbean Migration and Memory
|Visit the EU-LAC Museums “Virtual Museum of Caribbean Migration and Memory” to learn more about the story of the Windrush generation. Herein you will find the panels for the project exhibition called “The Enigma of Arrival: The Politics and Poetics of Caribbean Migration to Britain”, and have the opportunity to listen to audio and video recordings of hard-hitting migration stories associated with Caribbean migration to Britain.|
"Societal challenges can lead to opportunities if approached in the right way. Europe is currently undergoing a crisis of identity, seeking to define its past, present, and future position in relation to the wider world, and to consolidate regional cohesion across generations within a wider, global knowledge economy. EU-LAC-MUSEUMS, ICOM Europe and ICOM LAC are committed to the idea that fostering inter-cultural dialogue and creativity through their regional and community museums is fundamental to this process."
(Dr Karen Brown, EU-LAC-MUSEUMS Project Coordinator).
Characterize and promote the statements about historic and family memory, cultural identity and material/immaterial heritage which are emitted by the museums of the Region of Los Rios, and other museums situated in member countries from the EU-LAC Museum Consortium. Pursuing the promotion of ancestral knowledge, the bi-directional transmission of knowledge and principles between the communities / museums / universities, and strengthening the working relationship of the network of Museums.
By allowing local community museums to create a network with other similar organisations, in both LAC and EU, our project, and in particular this work package, will significantly promote and aid the development of mutual knowledge and understanding of peoples, through digital (namely web) and physical in situ means. Museums are an invaluable tool in this process due to their capacity to connect the remote/digital with the present/physical understanding of the world, both in terms of its similarities and diversities.
EU-LAC-MUSEUMS seeks to carry out out a comparative analysis of small to medium-sized rural museums and their communities in the EU and LAC regions, and to develop associated history and theory.
To empower institutional partners within the EU_LAC project with the necessary digitisation and communication technology training and tools allowing them to fully participate in and support the development of a virtual museum of the migration experience/s as informed by the experiences and trajectories outlined.
To conceptualise and develop new interpretation resources, utilising both historical and contemporary contracts (both memory and art based) in the development of travelling exhibitions and associated educational resources, making available through partnership arrangements with museums as identified.
Objects, following certain criteria, are picked by museum staff to either be 3D scanned or photogrammatised. Scanning can be done only if the necessary equipment is available, which lends photogrammetry to be the preferred affordable method. Images are sent through open source software that creates a 3D file which then can be archived and uploaded to a social archiving site such as Sketchfab. As a social site, Sketchfab tracks a user’s followers, views and comments. All digital objects appear in a video player which can be embedded in websites easily.
Created specifically for the EU-LAC MUSEUMS project by the University of St Andrews, the EU-LAC MUSEUMS Virtual Museum is a major research outcome that assembles digital media of cultural heritage; making it easy to access and use. 3D digital objects, 360° museum tours and community discussion videos populate the Virtual Museum as content generated from the 3D Workshops, held in three European, three Latin American and three Caribbean countries. By creating digital content from community museums all over the world, the heritage, objects and stories can be shared and appreciated by a global audience.
One of the objectives of this initiative is to encourage small community museums to contribute to a global online inventory.
In community museums, the exhibited objects represent (or are part of) an intangible cultural heritage. We propose the creation of a database that integrates an object-oriented inventory with an intangible cultural heritage-oriented inventory.
The contents of the website will be easier to search and access if we place all the cultural heritage (tangible and intangible) in a single database, even though the registration fields are not all the same for these two types of cultural heritage. In addition, an item placed in the database may contain a publication, several image files, a video file or an audio file. Or just one of these elements.
Bibliography of Museums, Community and Sustainability [Database + PDF]