Portugal

National Archaeological Museum

Portuguese Consortium Member

 

Museu Nacional de Arqueologia

Miembro Portugués del Corsorcio

The National Archaeological Museum was founded in 1893, joining the past (archeology) and present (ethnography) with the intention of representing "the Portuguese Man".

Throughout its history the museum has maintained close ties of collaboration from north to south and still today, it is the most local of all national museums. It is therefore in the best position to support and promote the community movement of museums in Portugal.

 

El Museo Nacional de Arqueología fue fundado en 1893, juntando pasado (arqueología) y presente (etnografía) con con la finalidad de representar "el Hombre Portugués".

Durante toda su historia mantuvo estrechos lazos de colaboración de Norte a Sur y aún hoy es el más local de todos los museos nacionales. Es en las mejores condiciones para apoyar y promover este movimiento comunitario de los museos en Portugal.

The National Museum of Archaeology (DGPC/MNA) occupies a central place in the EU-LAC-MUSEUMS project, for the creation and maintenance of the technological/innovative support of the project and also for the coordination of communication and dissemination of the project.

In addition, like the other partners, the MNA will conduct  research into the Portuguese experiences of community museology.

 

El Museo Nacional de Arqueología (DGPC/MNA) ocupa en el proyecto EULAC MUSEUMS un lugar central, por la creación y mantenimiento del soporte tecnológico/innovador del proyecto y también por la coordinación de las acciones de comunicación/diseminación del mismo.

Además, como todos los demás socios, el MNA conducirá un proceso de investigación de las experiencias portuguesas en el ámbito de la museología comunitaria.

     

 

Museums for Social Inclusion and Cohesion


Characterize and promote the statements about historic and family memory, cultural identity and material/immaterial heritage which are emitted by the museums of the Region of Los Rios, and other museums situated in member countries from the EU-LAC Museum Consortium. Pursuing the promotion of ancestral knowledge, the bi-directional transmission of knowledge and principles between the communities / museums / universities, and strengthening the working relationship of the network of Museums.

Technology and Innovation for Bi-Regional Integration

By allowing local community museums to create a network with other similar organisations, in both LAC and EU, our project, and in particular this work package, will significantly promote and aid the development of mutual knowledge and understanding of peoples, through digital (namely web) and physical in situ means. Museums are an invaluable tool in this process due to their capacity to connect the remote/digital with the present/physical understanding of the world, both in terms of its similarities and diversities.

Fostering Sustainable Community Museums

EU-LAC-MUSEUMS seeks to carry out out a comparative analysis of small to medium-sized rural museums and their communities in the EU and LAC regions, and to develop associated history and theory.

Exhibiting Migration and Gender

To empower institutional partners within the EU_LAC project with the necessary digitisation and communication technology training and tools allowing them to fully participate in and support the development of a virtual museum of the migration experience/s as informed by the experiences and trajectories outlined.
To conceptualise and develop new interpretation resources, utilising both historical and contemporary contracts (both memory and art based) in the development of travelling exhibitions and associated educational resources, making available through partnership arrangements with museums as identified.

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Galleries of 3D Artefacts

Objects, following certain criteria, are picked by museum staff to either be 3D scanned or photogrammatised. Scanning can be done only if the necessary equipment is available, which lends photogrammetry to be the preferred affordable method. Images are sent through open source software that creates a 3D file which then can be archived and uploaded to a social archiving site such as Sketchfab. As a social site, Sketchfab tracks a user’s followers, views and comments. All digital objects appear in a video player which can be embedded in websites easily.

EU LAC Virtual Museum

Created specifically for the EU-LAC MUSEUMS project by the University of St Andrews, the EU-LAC MUSEUMS Virtual Museum is a major research outcome that assembles digital media of cultural heritage; making it easy to access and use. 3D digital objects, 360° museum tours and community discussion videos populate the Virtual Museum as content generated from the 3D Workshops, held in three European, three Latin American and three Caribbean countries. By creating digital content from community museums all over the world, the heritage, objects and stories can be shared and appreciated by a global audience.

Tangible & Intangible database

One of the objectives of this initiative is to encourage small community museums to contribute to a global online inventory.
In community museums, the exhibited objects represent (or are part of) an intangible cultural heritage. We propose the creation of a database that integrates an object-oriented inventory with an intangible cultural heritage-oriented inventory.

The contents of the website will be easier to search and access if we place all the cultural heritage (tangible and intangible) in a single database, even though the registration fields are not all the same for these two types of cultural heritage. In addition, an item placed in the database may contain a publication, several image files, a video file or an audio file. Or just one of these elements.

Bibliography

Bibliography of Museums, Community and Sustainability [Database + PDF]

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